Guido Cavalcanti 1454 1494 1255 1300 In a grove ..... The MUSE located in a grove 'Pasturella
better than the Star, in my' opinion.
Cavelli had Biondetti and ricciutelli,
and eyes' of love, pink wax;
pasturav'agnelli with his rod;
[of] barefoot, was wet with dew;
sang like 'Namorita:
er' adorned with all pleasure.
D'amor hails' imantenente
and asked s'avesse company;
and she replied that dolzemente
all alone for the woods already,
and said, "Sacci, when the pious bird, then I
desireth 's me' paramour have heart."
Po 'he told me of his condition and
for forest birds singing audio
I said to myself:' Now is the season of this
Pasturella Gio '[ia] seize. "
Merz asked her only that hug and kiss
, if it had 'no desire. For
man took me, like love,
held me and said he won 'the core;
menòmmi sott'una coolness leaf, where there
' I saw flowers' of all colors, and so there
I feel joy and sweetness,
that 'the god of love I seemed to see.
and function of the refiner and e.ruditrice WOMEN According to Giovanni Pascoli, in his' poetry of young child ', the man retains the sensitivity of the adult child who, in turn, is a bit' as a primitive man. In a sense, each of us a child is like a primitive man must go back in a few years around the long path e.rudizione that has taken him from primitive rudeness, the refinement of his sensibility and the control of the instincts \\ drives.
One of the first requirements that people have heard, in its cultural evolution, was to sing. And a man who singing is not afraid of a man who shows aggression, unless the war-nos songs or hymns that exalt violence on someone. The song is a symptom of a psycho-cultural stage less crude and higher. Another human need 'prehistoric' was to dance, rhythmic bodily movement, to vent their vitality, their joys, as their fears. And the Greeks - the head Evemero that considered as the projection of the transcendent fears and aspirations of mankind - have personified or deified these needs by creating the Muse. Muse
These mythological characters that were in fact represented the needs most elegant man in antiquity felt and still feel intensely. It 's a bit what is happening today with the saints who are considered protectors of a certain activity or a particular need of man. So, if St. Cecilia is the patron saint of musicians and singers, Eu.terpe (good song that cheers), was the patron muse of song.
As children, during the Communion or the Mass, many of us sang some sacred music. Besides, even many modern music have something sacred, just think about spirituals, to Godspell and some melancholic rock step. The Greeks also had a protector of these songs Musa and called Pol.imnia (many songs).
Primitive men have also felt the need to quickly move your body rhythmically, perhaps with the sole accompaniment of drums. Even today, dance is one of the most frequent somatic expressions for the human being. And for this task, the Greeks 'sacred' Terpsichore, the muse of the dance patron. We
to communicate with others, we are constantly forced to 'tell' or invent events comic or tragic, or love, or warlike. For each of these 'stories', the Greeks 'sacred' a Muse: Talia for communication \\ Invention poetics of comic events, Melpomene to tragic events, Erato for poetic tales of love and poetic tales Calliope for warlike or adventure.
In fact, these four museums are the guardians not only of the poets present themselves, even the songwriters, and why not, of modern directors. Many films are indeed very poetic images and the script, and indeed almost all the films are either comic or tragic or amorous or warlike adventure. Indeed, in every movie, there's a bit of all these aspects in order to keep the suspense and our constant attention. It is no coincidence that the film is often referred to as the 'Tenth Musa '
Often we observe the sky from day to see if they' do good or bad time, 'at night to watch the wonderful scenery of the starry sky or the moon that brightens up the landscape. And this happens in our towns, from which it is sometimes difficult to see the sky between the encroaching development. The Greeks were more related to the sky they called Cosmo ( adorned , such as cosmetics that are used just to decorate the faces). Besides, their lives were intimately connected to nature, the seasons, the weather. They had all the technology that now allows us to live more comfortably but more 'artificial', more 'Unnatural' and therefore further away from basic needs like the sun, breathe fresh air, feel the wind or rain on our bodies, watching the blue sky or starry lying on the grass.
The Greeks, this requirement created to symbolize the Muse Urania , and in fact the sky is one of the most frequent reasons underlying any work of art and literature.
final Musa, Clio (fame, [from the verb caleo = call] the glory and history of all that is worthy of fame and then is known) summarizes some 'all the others. In fact, as we said before, our lives can not do without the narration with stories or less famous. Even a simple news program, a newspaper or a simple film 'tell' us something and we are the result of a series of short stories. For example, if a teacher he had not 'told' math does not even know the numbers. Our whole culture in short, our entire personality depends on the story, the story of things that we obviously do not know, but often we like to listen to the same stories, the same movies, the same fiction, the same as 'fairy tales'. (See History and Historiography).
conclusion, all these forms of 'art' are a symptom of a.trofizzazione than feral aggression 'Reptilian' that the male than the female, has always felt like primitive instinct that will hopefully be increasingly sublimated with the contemplation of matriarchal femininity 'music' (see the various Mother Goddesses and the Virgin .
THE MUSE daughters of Zeus and Mnemosyne (goddess of memory)
EU.TERPE singing (the cheer)
POL.IMNIA religious music (of many hymns)
Terpsichore Dance (having fun with the choirs)
TALIA comedy (the flourishing)
Melpomeni tragedy (the singer)
ERATO poetry of love (love)
CALLIOPE epic poetry (from the beautiful voice)
CLIO history (fame, glory by Cale = name)
URANIA astronomy (the heavenly)
Dante Alighieri Guido, Lapo and I wish you and I
we were taken to spell, and put in a
vasel That for every wind
want to go to sea you and me,
ensure that luck or other cruel time
there could not give ground,
indeed, always living in a talent,
grow to be together 'l desire.
Monna Vanna and Monna Lagia And then
with that which is the number of the thirty
would put us in good charmer:
and there always discourse of love,
and each of them was happy, even as
ì I think we would. Poems unknown:
Among sandwiches, economic in taste and price, the lights gialleggiava uncertainty intermittent as blink of an eye, of artificial suns. waited for the sunrise to say hello, cicada drunken to avoid the anxiety a lonely bed. Amedeo 96 Liberti I Holy, holy, holy is the Big Bang, and the spark that ignited the fuse; throughout the universe and around death singing its praises and we, the morienti, celebrates the glories with trills and trills, most perfect work of its engineering ............ ..... and still immersed in underwater light, delicate chrysalis emerge from the gauze of sleep, listening long, estranged, dismayed to exist.
